Since late 2011, with the release of my final Second Thought LP, Leaf Pass, I have been working with a sound I often refer to as ‘ruralism’ (as suggested by The Glimmer Room’s Andy Condon), which generally has a certain sense of warmth, a lot of nostalgia, often lo-fi production quality and frequent use of acoustic instrumentation. Over this time, I’ve produced three albums I’m really proud of (The Blackbirds’ Revenge, Photographic Reflection and East of Evening) along with a handful of other tracks I’m happy with, featured on various ephemeral releases such as the Revolution series.
However, as I was completing what was to be my fourth ruralist album, The Last Swifts of Summer, I began to feel that I had done as much with this sound as I could: I was largely repeating old ideas. Anybody who knows me (or indeed my music) will have an idea of how quickly I get bored of working with a certain sound, and change direction. This was the major reason behind the album’s demise.
With that in mind, you will notice a change of direction with my future releases*. My next album, Two Suns Were Visible in the Sky, picks up where East of Evening left off, but eschews most of that album’s pastoral sound, expanding instead on its more abstract moments (‘Ghost of Dreams Past’, ‘Beyond Evening’ etc.) Don’t worry, I’ve not suddenly started doing dubstep; if anything, Two Suns… is a transitional album, with many of the guitar parts and field recordings not so different to my previous few albums. But it will also be different. A little darker; a little less pretty; a little colder.
Since completing the album, I’ve been laying down a few ideas for my future direction, exploring different approaches. Recently I’ve begun fleshing out these ideas, and working directly on an album which will be released in early 2015. I can’t say too much about it yet – as I don’t know exactly how it’ll shape up myself – but expect something more synthetic; something that moves towards soundtracking an imaginary place, rather than capturing a real one. Having spent a few years looking to the past, I will now be focusing on the present, and possibly the future. I am very excited to be visiting new sonic worlds, and look forward to sharing them with you all. 🙂
In mind of this, you may notice some redecoration around my various online homes.
*the exception being the Clouds in the Shape of Clouds single on Plenty Wenlock, which finally gives that track a home, along with two unreleased pieces of ruralism.