I’ve always been drawn to the chronology of things, being able to look back over periods of time and identify the evolution of an idea, a sound, a place. For a while now I’ve felt like I’ve been coming to the end of a particular era of my music, and have been tying things up in a faintly subconscious way. Arachnidiscs have just announced pre-orders for my new CD Exteriors, which sold out its limited run fairly quickly and has gone onto a second run already. That’s a compilation of pieces that never quite found a home, an album I’d wanted to make for ages portraying a normal everyday town situation, rather than the rural / exotic / surreal soundscapes I normally end up making. There are some very old tracks on it, so in some way it’s of a kin with Leaf Pass, but overall I’m really happy to have finally made this little record that’s been eluding me for such a long time now. You can pick that up from the Arachnidiscs Bandcamp.
Otherwise I’m now just sorting out label stuff for Holosphere, the final piece of the Sphere trilogy of that started with Ambisphere and Myosphere. It’s not too dissimilar in mood, although is the most rhythm-based of the three. The trilogy is born of my love of ’90s ambient, particularly the heavily sample-based end of it a la FSOL and The Orb. Sometime down the line once I have the rights to Ambisphere back I’ll be doing a nice 3CD box of those. In the meantime, Myosphere is down to the last four tapes on No Problema, so this is probably your last chance to grab that.
Holosphere runs a little like this:
01. Ladybird Spider
02. Verdant Sphinx
03. Blades of Grass
04. Baby Universe
06. The Mauve Raven
08. Distance Collapse
10. Little Leaf
To coincide with this, I’m also going to be reissuing my entire back catalogue on CDr. I had had plans to work on some nice deluxe 2CD reissues, but the time and money involved would mean the whole campaign would drag out over a few years, and frankly it’s not so healthy to be putting all that much effort into the past when I could be putting it into the present. So instead I’m going to make all of my out-of-print releases available on CDr again. In all applicable cases, these will be the same issues as were on sale on my Bandcamp for a limited time a couple of years back, only with slightly updated artwork (all will be credited to International Debris). There are also several which have not received a CD or any physical release before, and some of these will be expanded editions. I’m hoping to have those ready by the end of May.
After that there’ll be a bit of a break while I start to work out how to translate all the ideas in my head into new sounds.
I’ve been helping out restart the Terminal project after a couple of years of silence. Season 3 of Terminal Radio is coming later this year, and there are some very big names involved. I’ve been working on mixes for that so I’ll be popping up and hopefully some artists I’ve invited along will be too. Once that’s settled in we’ll be looking at where to take Terminal as a collective and label, hopefully with physical releases and art editions somewhere down the line…
And while I’ve not been doing all that, I’ve been keeping myself busy working on my FSOL wiki.