I recently started a bit of work on some new material (for the first time in many months). It’s been quite nice using hardware only as it makes it very simple to do alternate, varied mixes: in this case starting out by doing a fairly dancey track, then just making a few changes and suddenly being able to whack out an ambient version. I have nine or ten pieces done (incl. variations) and reckon one or two could end up on whatever the next album turns out to be. You can check out one called Nais Metalmark below.
I’m still having to set up my gear every time I want to make something, which is an absolute pain, but hopefully going to be getting some shelves to put all my hi-fi stuff on soon which will enable me to turn my desk into a permanent studio space. This should help creatively, as it’ll simply be a case of switch on and go whenever I want to make something. So I’m looking forward to that. Hopefully I’ll be able to spend the rest of the summer and early autumn working on a bunch of tunes and maybe put together an album and an EP or two by the end of that for release next year. I have a potential title lined up. It’s been quite a while now since I had a properly new release to get excited about (last year’s Opaline, I suppose), bearing in mind both Seltrac and Myosphere both spent around 18 months waiting to be released.
Generally I’m forcing myself to really strip back my sound a bit. Every time I start a new tune I end up throwing in loads of tracks and muddying it up a bit (not only the mix – no outboard EQ yet – but also the focus of the piece), but whenever I’m listening to music I always make a mental note that I tend to lose the starkness and simplicity of it. So I’m trying to change my creative process to make something less cluttered, more minimal. There’s a lot of gear I still want to get which will help open things up to creating more ambient stuff again, so I suppose the stylistic sound for the moment maybe minimal lo-fi house/techno/electro with ambient touches. But we’ll see.
It’s been a weird summer so far. Either blazing hot sun or tipping it down with rain (neither of which I’m a particular fan). I’m just coming out of a period of particularly poor mental health – something that is often referred to autistic burnout – which has put a lot of personal progress on hold, but I’m definitely feeling better. Taking a bit of time off social media, particularly Twitter, which can be a madhouse when I need some headspace, is definitely helping in that regard. Trying to get back to leaving the house on a more regular basis, and maybe lose some weight too. Really trying to be positive moving forwards. Part of this has involved making peace with some elements of my back catalogue, so Obliquity, Periphery and Two Suns are back on my Bandcamp for good now.
Lately been listening to a lot Martin Newell – Cleaners from Venus and The Brotherhood of Lizards in particular – which has made me consider working on some new Curse of Kevin Carter stuff for the first time in ages. Also Patricia, both albums on Opal Tapes are excellent and I have the new one on its way in the post. And Global Communiction and Heavenly Music Corporation, because there’s always some ’90s ambient in there somewhere.
Later this week comes the third Winter of the World album, Human Croquet. Joaquin and I have been working on this project on-and-off for a while now, and have two albums coming out this year. Human Croquet is the first, and will be released as a CDr on the wonderful Sea of Clouds label. 70+ minutes of sound collage, ambient drift, piano improvisation and even a touch of vaporwave. The other album is called Croxton Kerrial and will be out on Celldeath later in the year. That one’s a lot darker and more experimental.
On the subject of collabs, the Middlemarch remix album is making progress, with premasters delivered to Carpe Sonum (who will be releasing it in the new year), and two tracks previewed on the label’s latest sampler. Have a listen to Mick Chillage and Off Land giving ‘A Painter’s Eye’ and ‘Angels’ a once over here. There are a couple more collaborative projects currently in progress which are pretty exciting. I’ll have more proper news on those in the coming months. And there’s a ton of new/old stuff over on House of Broken Clocks. All can be grabbed for free as ever.