3rd November 2017

I’m very happy to announce my next album will be entitled Eclipsis and will be out in January on CD and cassette. The tracklist is as follows:

  1. The Vestal
  2. Skyless
  3. Food Resenting an Airbase
  4. Bluethroat Passage
  5. The Geometrician

The album concludes a loose trilogy of hardware based albums I’ve completed in the last two years, following Opaline and Seltrac. Where those albums were almost entirely just using my synths and FX boxes recorded to tape, Eclipsis is a bit more advanced, featuring sound collages and recorded digitally.

After completing Myosphere a couple of years ago, I found myself kind of stuck, having finally recorded the album I’d been wanting to make for 20 years. This resulted in a back-to-basics approach for these three albums, which have acted as a bit of a palette cleanser for me. The more complex nature of this new album kind of brings things full circle, back to the more soundscapey style once more.

The album was completed in late spring, and I’ve recently started work on ID7, focusing largely on using my laptop once more. I have some ideas in mind already for the theme and sound of the album. On the whole I’m hoping to let it come naturally rather than trying for something. I’ve done a lot of intentionally restricted albums in recent years – focusing on using certain equipment, samples, or sound palettes – and this definitely helped me work through differing periods of writers’ block and self-doubt, but I feel confident enough now to simply open up a DAW and see what comes out. The album will also include one track that’s been created using my MicroKorg XL, which you can hear below:

In other news, I’ve had a number of tracks included on compilations recently. A wonderful double tape set from Sunset Records included a new piece ‘Destination 1, Revision 3’, a charity tribute to The Caretaker organised by Nmesh included ‘Further back than I care to remember’, and the fourth volume of Dream Catalogue’s Chaos series included an alt mix of ‘Curtain Moon’ entitled ‘Affection Moon’.

I’m enjoying the gradual shift into a gorgeous autumn this year. With barely any rain in sight, it’s been cool and crisp autumn with lots of gorgeous pale light and richly coloured leaves. This time of year always feels like a return home for me, so I’ve been coping well recently. Taking Rosey for long walks in the country has been really uplifting. I’ve been listening to a lot of Idlewild, Snow Patrol, Frightened Rabbit, Deuter, FSOL and a bunch of lovely albums on ECM.

7th April 2017

The next few weeks will see the release of both Myosphere and Seltrac. These will complete the first chapter of International Debris.

Both albums feature material that was started at the time I started Bathe in the Lights of Distant Cities, and pretty much everything released since then – Anxiety, Ambifauna, Thursday Morning Taylor Swift, Estuary, and my vaporwave material – has been part of the same recording sessions. There are many tracks which were initially intended for one album that appeared on a totally different one. Although all the records have individual themes and atmospheres, in my head they all occupy the same space. This level of overlap is totally unlike anything I’ve done before.

A couple of months after tidying up all these, I returned to work and pieced together TimewyrmMistral and Opaline, partially from unfinished ideas and partially from new material. In some ways these form a coda to those original sessions.

I’m incredibly satisfied with how all of this has come together. Those of you who’ve been following this blog for a while will know that for some time I went through a period of unhappiness with my output, roughly between (but not including) Canal Seven and cer. Although there are some wonderful finished albums from this period, it’s also an era in which I spent as much time restructuring as I did actually recording. Different versions of albums appeared and disappeared from various Bandcamps more times than I can remember, and there’s still a fair amount of material I’ve effectively disowned from this time.

Although I can’t stay that the creative process has been easy since starting ID – for someone with mental health problems like myself, I spend as much time loathing what I do as I do loving it – I’m incredibly happy with the state of my music since then. I’ve been able to return to a time with no expectations, simply making music I want to make, and all of the releases – particularly the main five albums and the Anxiety EP – are among my favourite things I’ve done. In many ways, my material as Ross Baker was a healing process,  and ID finds me fully recovered again (which also explains why cer sounds like a cross between the two, transitional album as it was).

Once I make a full start on new material then I think chapter 2 of ID will be on the way. It will probably be different to the current (and shortly-to-be-released) batch of records, although I’m sure it’ll still sound like me regardless.

Up and at them!

15th February 2017

There’s always a journal entry in February…

So, finally a proper new website – internationaldebris.co.uk – and an update on what’s going on.

The next couple of months should finally see the release of my two new albums. Genderqueer Synth Diaries has had a last-minute name-change to Seltrac. That’ll be out on Third Kind Tapes. Just waiting on a friend to help with the artwork for that.

Secondly, Curtain Moon is now called Myosphere, and will be coming on No Problema, probably around a similar time. It’s going to be good to get these tapes out, as both were started in the second half of 2014, and finished last year (although Myosphere has had a bit more of a makeover since I last posted).

I recently had a couple of smaller scale releases. The first a collection of spacey tracks entitled Cataclysmic Variable Star. That name might be familiar to long-time listeners, as it was mooted as the title of an unreleased album from seven years ago. Some of the material from those sessions is on the tape, as well as reworked versions of a couple of bits that ended up compilations around that time. It’s been released under the name Intergalactic Debris, on Nebula Collection, a new label by Poe, who co-owns BLCR. Grab the tape or download here. Secondly, a split with Angel Marcloid’s MingSpring Memories project, each of us providing a side of moody vaporwave for Velvet Bazaar. That’s here.

And that really is me cleared out for the minute. The only unreleased material I now have is that which is going towards the next album. I have way more in the way of environmental interludes, samples, loops and sketches than actual tracks – two finished and two half-done – but it’s definitely on its way now. It’s been a long time since I started with a fresh new album concept, so it feels good to be getting to work on it. Currently there are elements of Seltrac and Leaf Pass in there, but who knows where it’ll be in a few months time?

There will also be new music from Middlemarch and Winter of the World this year. They’re both complete and working their way to friends for hopeful release. I’ll keep you informed with them as and when news comes along.

I didn’t really do a 2016 roundup, but I suppose that all provides the state of play as things stand. Lately I’ve been reading a lot of Doctor Who novels and novelisations, and listening to Goldfrapp, B12, HKE, Carly Rae Jepsen, Gerald Finzi, Gustav Holst, and a bunch of excellent releases from ECM.

Hope everybody is well!

6th September 2016

It was my 32nd birthday yesterday. Not a significant age, although in this digital world we live I suppose 32 is a more notable number than it once was. And by some coincidence, my online presence will be changing somewhat in the near future. More news on that soon!

In terms of releases, Curtain Moon will be finally getting its release, on No Problema Tapes, at the end of the year. The album has been renamed Myosphere. I’m super happy to be on No Problema, who are one of my favourite labels operating at the moment.

Before that will be a newly recorded work entitled Opaline, which will be out on 10th September on BLCR (the label who put out the reworked version of Bathe in the Lights of Distant Cities earlier in the year). This is an album of longform dream acid pieces. There may be a physical version of that coming at some point, but it’s just a digital release for the moment.

And Genderqueer Synth Diaries will be coming along at some point this year at last, as the artwork is now entering its final stages.

This will clear the backlog of stuff – typically for me it’s been 14 months since my last proper album and now there are three coming along all at once (there’s a bus analogy here somewhere). It’s been a relatively quiet year for me in terms of recording – Opaline was done over the space of a week, and those other two were completed last year – but I do have a few things down as starting points for my next full length. I’ve spent a few months playing with ideas but also getting involved in some online stuff, and recently reassessing my past. I’ve reached a point where I feel happier with the last few years of my work than I have ever done, and I feel very positive going forward to my next album. I have the same sense of focus that I haven’t really had for a very long time. I’d imagine the next album will unfold over a long period of time, but hopefully it’s something that’ll be out next year.

I’ve recently been listening to the new album from David Tibet and Youth as Hypnopazuzu which is excellent, and the last School of Seven Bells album. Also a wonderful tape on the Tekres label by Somnus called Sleep, which comes highly recommended.