2nd June 2014

Since late 2011, with the release of my final Second Thought LP, Leaf Pass, I have been working with a sound I often refer to as ‘ruralism’ (as suggested by The Glimmer Room’s Andy Condon), which generally has a certain sense of warmth, a lot of nostalgia, often lo-fi production quality and frequent use of acoustic instrumentation. Over this time, I’ve produced three albums I’m really proud of (The Blackbirds’ Revenge, Photographic Reflection and East of Evening) along with a handful of other tracks I’m happy with, featured on various ephemeral releases such as the Revolution series.

However, as I was completing what was to be my fourth ruralist album, The Last Swifts of Summer, I began to feel that I had done as much with this sound as I could: I was largely repeating old ideas. Anybody who knows me (or indeed my music) will have an idea of how quickly I get bored of working with a certain sound, and change direction. This was the major reason behind the album’s demise.

With that in mind, you will notice a change of direction with my future releases*. My next album, Two Suns Were Visible in the Sky, picks up where East of Evening left off, but eschews most of that album’s pastoral sound, expanding instead on its more abstract moments (‘Ghost of Dreams Past’, ‘Beyond Evening’ etc.) Don’t worry, I’ve not suddenly started doing dubstep; if anything, Two Suns… is a transitional album, with many of the guitar parts and field recordings not so different to my previous few albums. But it will also be different. A little darker; a little less pretty; a little colder.

Since completing the album, I’ve been laying down a few ideas for my future direction, exploring different approaches. Recently I’ve begun fleshing out these ideas, and working directly on an album which will be released in early 2015. I can’t say too much about it yet – as I don’t know exactly how it’ll shape up myself – but expect something more synthetic; something that moves towards soundtracking an imaginary place, rather than capturing a real one. Having spent a few years looking to the past, I will now be focusing on the present, and possibly the future. I am very excited to be visiting new sonic worlds, and look forward to sharing them with you all. 🙂

In mind of this, you may notice some redecoration around my various online homes.

*the exception being the Clouds in the Shape of Clouds single on Plenty Wenlock, which finally gives that track a home, along with two unreleased pieces of ruralism.

26th December 2012

Well, thankfully the world didn’t end, so I can end the year on a high note.  2012 has been a very important year for me, in many, many ways.  In musical terms, it has been a year of reinvention – a chance for me to start again, work out who I am and why I am doing what I’m doing.  The Revolution sessions at the start of the year were a proper ‘year zero’ thing, stripping right back to me, an acoustic guitar, a cheap keyboard and a 4-track, for the most part.  Since then I’ve released two records I’m very proud of – The Blackbirds’ Revenge and Photographic Reflection- which have built on the ambient acoustic sound I have found so rewarding to work with.  The second half of the year I have spent recording a huge bulk of material, but thankfully have found the quality control to only select ten tracks for album number 3, East of Evening, which will be out in January.  I’m expecting the tapes to arrive just after new year, and will start dubbing them then.  I’ve had some really positive reviews and lots of great feedback from these new records.

I really do feel a sense of peace and ease with my music now that hasn’t been present since recording Safernoc and Canal Seven back in 2009.  I have a few ideas about music going forward, and think it’ll take a lot longer with more attention to detail than the somewhat stripped-back nature of the recent releases, going to work on a big, lush sound.  There’s also a very experimental record with my friend Craig, the second album as Sturmazdale, which will be appearing at some point in the coming months, and tentative work has begun on the second Curse of Kevin Carter album.

I feel like I really know who I am and what I’m doing these days, and that makes me very happy.  Roll on 2013!

30th May 2012 – Recording

I have been recording again, for the first time in a few months. I’m putting down the first parts for my next album. I have nine tracks written in terms of chords and structure, many of which originate from around the same time as Revolution 2. I’m now facing the task of writing melodies, words and arrangements to fit them. I’m planning on doing something a little more adventurous – probably closer to The Blackbirds’ Revenge in scope, although with more instrumentation. We’ll see how that goes. In slightly more ambient news, I’ve also been working on some soundtrack work, which is going to be more instrumental. I’ll be able to share more on that at a later date.

I’ve also been working on the Jesse Conner collaborative material, which has come along nicely. I’ve added words for the song ‘Home’ – which I wrote the words for and sang – to the lyrics section. Mostly very acoustic, lo-fi stuff. Pretty much what you’d expect if you’re familiar with his music and my more recent stuff. And finally there’s some Merganser material coming together, which is nice. So, feeling quite productive again. And the website has new colours and an improved ‘about’ page!

I recently started writing for Musique Machine, an online music magazine, generally doing reviews of experimental stuff. Nice to get a selection of interesting new music heading my way on a regular basis! Other than that, I have recently been enjoying:

The Future Sound of London – Environments 4
Nicola Roberts – Cinderella’s Eyes
Deaf Center – Pale Ravine
Tangerine Dream – Hyperborea
Rod Jones – A Sentimental Education