two suns were visible in the sky

28th December 2014

2014 in review, I: favourite music

My top 25 records of 2014…
01. The Future Sound of London – Environment Five
02. Bedroom – Shade & System
03. A Winged Victory for the Sullen – Atomos
04. Manic Street Preachers – Futurology
05. Off Land – Quinarian
06. Aphex Twin – Syro
07. Foxes – Glorious
08. Deaf Center – Recount
09. The Birthday Suit – A Hollow Hole of Riches
10. Origamibiro – Odham’s Standard
11. HOLOVR – Holo Earth
12. Pyramids of Space – Pyramids of Space
13. Caustic Window – Caustic Window LP
14. Off Land – Voyage/Home
15. Off Land – Accitiper/Coast
16. The Long Lights – Our Waking Hours
17. Roddy Woomble & Band – Live in the Inner Hebrides
18. Off Land – Osculation
19. Nmesh – Dream Sequins
20. Hakobune/Sim Kima – Split
21. RAGS – Belief in an Order of Meaning
22. The Original Flowering Earth – Hosshein
23. Glass Girl – What’s it All About?
24. Eno/Hyde – Someday World
25. Blackhill Transmitter – 2nd

Somehow ended up missing the new Zola Jesus, but I’ll catch up with that pretty quickly in the new year.

2014 in review, II: my music

It’s very strange to think that a year ago I’d only just released Terra Incognita – an album that I began almost a year before. It feels like a lifetime ago. Still, that was more of a side-project record (originally planned to be released under the name ‘Hello Egypt’ before I shied away from the idea at the eleventh hour), and I spent the first half of the year making progress from my 2012 records – stripping the acoustic sound right down for Two Suns and its related mini album Periphery, before building up with more electronics once more on cer. The first two of those were released on a couple of ambient labels I have great fondness for: Flaming Pines and Twice Removed. These gave me a rather nice amount of exposure – just in time for me to sabotage in it typical style by another style and name change.

There are several reasons for changing from Ross Baker to International Debris, but the main two are wanting to get out of the ruralist corner I’d painted myself into with my own name, and wanting to freely work with others. The second half of the year was spent recording ID material, of which about five hours’ worth has been completed. From this bulk have been assembled two albums: Bathe in the Lights of Distant Cities (due out in January on Metaphysical Circuits), and a second entitled Ambifauna, due later in the year – more news on that soon. Ambifauna in particular I am incredibly proud of, and much of this material is the best I have ever recorded. I have worked with six different musicians on these sessions, and will be working with many others in the next year on future material. The creative decisions I’ve been making over the past few months have given me a certain sense of freedom with my music, and I’m looking forward to exploring that further.

More news in 2015! Happy holidays 🙂

2nd June 2014

Since late 2011, with the release of my final Second Thought LP, Leaf Pass, I have been working with a sound I often refer to as ‘ruralism’ (as suggested by The Glimmer Room’s Andy Condon), which generally has a certain sense of warmth, a lot of nostalgia, often lo-fi production quality and frequent use of acoustic instrumentation. Over this time, I’ve produced three albums I’m really proud of (The Blackbirds’ Revenge, Photographic Reflection and East of Evening) along with a handful of other tracks I’m happy with, featured on various ephemeral releases such as the Revolution series.

However, as I was completing what was to be my fourth ruralist album, The Last Swifts of Summer, I began to feel that I had done as much with this sound as I could: I was largely repeating old ideas. Anybody who knows me (or indeed my music) will have an idea of how quickly I get bored of working with a certain sound, and change direction. This was the major reason behind the album’s demise.

With that in mind, you will notice a change of direction with my future releases*. My next album, Two Suns Were Visible in the Sky, picks up where East of Evening left off, but eschews most of that album’s pastoral sound, expanding instead on its more abstract moments (‘Ghost of Dreams Past’, ‘Beyond Evening’ etc.) Don’t worry, I’ve not suddenly started doing dubstep; if anything, Two Suns… is a transitional album, with many of the guitar parts and field recordings not so different to my previous few albums. But it will also be different. A little darker; a little less pretty; a little colder.

Since completing the album, I’ve been laying down a few ideas for my future direction, exploring different approaches. Recently I’ve begun fleshing out these ideas, and working directly on an album which will be released in early 2015. I can’t say too much about it yet – as I don’t know exactly how it’ll shape up myself – but expect something more synthetic; something that moves towards soundtracking an imaginary place, rather than capturing a real one. Having spent a few years looking to the past, I will now be focusing on the present, and possibly the future. I am very excited to be visiting new sonic worlds, and look forward to sharing them with you all. 🙂

In mind of this, you may notice some redecoration around my various online homes.

*the exception being the Clouds in the Shape of Clouds single on Plenty Wenlock, which finally gives that track a home, along with two unreleased pieces of ruralism.

25th May 2014

Two Suns Were Visible in the Sky has been mastered by offthesky’s Jason Corder, who has done as excellent job as you could expect from him. Kate at Flaming Pines is currently working on the artwork for that, so I’ll be able to bring that to you very soon. Still aiming for a June release there.

Currently finalising the tracklist for Periphery with Gavin at Twice Removed, I posted the artwork for that recently. That’s now looking to be out before the end of the year, as Twice Removed will sadly be closing its doors in November. That does mean 2014 will be focused largely on those two albums, though, which works well for me.

Collab-wise, there are new records from Middlemarch, Winter of the World, Sturmazdale, Merganser and Captain Busby in the works, plus new projects with Tim Dwyer (Off Land) and Justin Marc Lloyd (Pregnant Spore, Rainbow Bridge, etc. etc. etc.).  So I’m staying very busy.

And if that wasn’t enough, there are still singles on Knife in the Toaster and Plenty Wenlock due over the summer, and there are still some remixes to come out at some point…